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Colour negative processing

A project log for 35mm Flim Negative Scanning

Rig and technique for digitizing 35mm film negatives.

stephen-holdawayStephen Holdaway 02/13/2019 at 08:010 Comments

Up until now I've been manually processing my scanned negatives into positives simply by fiddling with the RGB curves. 

The process is roughly to invert the R, G, and B curves, then move the white and black points to cancel out the the different response of the film to red, green and blue:

After 10 minutes of tweaking, adjustment layers and comparing to a reference image, I would have something that looks kind of ok, but the colours  were always way off vs the reference print, hence why I haven't written about this process.

The problem with this approach is that it's very unscientific; it's all done by eye, and manipulating the curves tool with the mouse is imprecise. I tried out the Photoshop plugin Color Perfect a while ago which  was better, but a high price tag combined with a terrible UI stopped me purchasing it.

I looked into writing a Lightroom plugin to automate this conversion process, but it turns out someone else has written a plugin with the same idea called Negative Lab Pro. I haven't bought this yet, but the results it gives are fantastic:

Original lab scan from a Noritsu Koki QSS. Click for 1.5MP original (0.5MB)
DSLR scan processed using Negative Lab Pro. Click for 18MP original (11MB)

For comparison, here are the two scans I've had done professionally of this negative, and my best manual curves attempt (right):

Wellington Photographic Supply "Super High Res" scan. Click for 19MP original (6MB)
Photo Warehouse Wellington "High Res" scan. Click for 19MP original (9MB)
Manual curves processing develop of DSLR scan. Click for 18MP original (10MB)

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